top of page

Artist Statement

Each paperwork is a one-off piece, created using papers, painted with watercolour or dye, which are torn and layered and embellished with stitch.  My work is about capturing a fleeting moment in time, depicting the essence of something that is caught in an instant, yet in reality remains elusive and ever-changing.

​

There is something about the light at dawn or dusk, just before the sun appears over the horizon or just after it disappears completely; most sunrises and sunsets are beautiful but very occasionally there is one that is so exceptionally dazzling it leaves an indelible impression on your mind.

​

I have taken thousands of photos of sunrises and sunsets and am always fascinated by how the light changes in every fraction of a second so that no one image is the same.

 

These are the images that I build into my work: not an exact depiction of what I see but rather an abstract interpretation constructed through layers of paper and stitch. These imaginary landscapes represent something that doesn’t actually exist and try to make it more tangible.

​

The Japanese garden design principles of shakkei, the 'borrowed view' and ikedori, to 'capture alive'  are integral to my work.  I’m intrigued by the notion of the horizon itself – it appears to us as a line when it is our perception or imagination that ‘sees’ a horizon.

 

The sky is the current focus of my work but there have been many influences and I continue to develop new and different themes. I am inevitably drawn to the subtleties of light and colour and how meaning can alter or be ambiguous.

 

For me, everything I do is a work in progress; I don’t see an end, just a continuing exploration.

​

bottom of page